Art and Industry 385, July 1958

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Content includes:
Televimasion
European Free Trade Area by Henry Deschampsneufs, M.I.Ex., M.I.P.A.
The Art Of Packaging 8: The Properties of Aluminium, by E. Elliott, A.Met., F.I.M., M.Inst. Pkg.
A Boost For Prestige
Pan-Tele-Tronic Elucidation – Pearl & Deane’s Cartoon Animation
New Products Processes and Presentation
Screws & Screwmanship
Exhibition of ‘Cotton and …?’

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Art and Industry 385, July 1958
Art and Industry 385, July 1958
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"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

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Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.

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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.