Information

Content includes:
P. O. Midi Castles of the Loire Valley
A romantic view of English advertising
One night from Paris . . . The French Riviera
The Printing and Book Group at the 1937 exhibition
The Chinese Print
Deberny et Peignot Photogravure
Chinese print [bowl of eggs and drift wood]
Salvadoran Maya Vase (from the French Encyclopedia)
Sculptures and drawings by cooks and pastry chefs
Gerard de Nerval, publisher and printer
Occidentalism
The League of Nations reconstituted after the Cabrol’s drawings
Antique [typeface]
The Woodcuts of Herbert Lespinasse
The Graphics News
Flier published by Alliance Graphique: “Weekend Tickets”
An Exhibition of the Algeriean Book
Cover for the Galeries Lafayette
Unpublished notice by Gérard de Nerval on his stereograph
Ch. Lorilleux & Co., Printing Inks, Roller Pastes
The Graphic Arts of Sound
Vaugirard Printery Is the Typographic Press of Arts et Métiers Graphiques
Old Papermills of Auvergne

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Linked Information

Arts et Metiers Graphiques, 53, 1936
Arts et Metiers Graphiques, 53, 1936
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.