Client/Publisher: National Olympic Committee for Germany
Size: 210mm x 235mm
Rolf Müller was born in Dortmund in 1940 and studied at the University of Design of Ulm, from 1960 to 1963. He worked with Josef Müller-Brockmann, Zürich from 1963 to 1964 and he worked at his own studio in Ulm. from 1965. From 1967 until 1972 he worked with Otl Aicher and served as deputy representative for the Design of the 20th Olympic Games Munich 1972. In 1973 he moved Munich and set up his own studio there.
Bulletin 1, 11th Olympic Congress, International Cooperation in Sport, 1981. Designed by Büro Rolf Müller
Rolf Müller was born in Dortmund in 1940 and studied at the University of Design of Ulm, from 1960 to 1963. He worked with Josef Müller-Brockmann, Zürich from 1963 to 1964 and he worked at his own studio in Ulm. from 1965. From 1967 until 1972 he worked with Otl Aicher and served as deputy representative for the Design of the 20th Olympic Games Munich 1972. In 1973 he moved Munich and set up his own studio there.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.
The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.
