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Commercial Art Vol 4, November 1923
Commercial Art Vol 4, November 1923
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.