SPECIAL ISSUE:
RELIGIŐSE GRAPHIК
CONTENTS
ART IN ADVERTISING Editor-in-Chief: Dr. HANS SACHS, Berlin-Nikolassee
Heinz Ferdinand Schon by Traugott Schalcher, Berlin with 7 partly colored illustrations
Religious Advertising through the Artist’s Poster by Prof. Dr. Walter von Hauff, Berlin-Steglitz.
Religious Commercial Graphics by Dr. Oscar Beyer, Berlin
Applied Graphics in the Service of Church and Religion by Dr. Walter F. Schubert, Berlin, with 93 illustrations, some in color, and 10 color supplements
Confirmation Certificates by Pastor Karl Röhrig, Potsdam
Contemporary German Typographers
V. Otto Hupp. By Pastor Paul Bretschneider, Oberwartha, with 41 illustrations and one color supplement 573
THE CULTURE OF ADVERTISING
Editor: HERMANN BEHRMANN, Leipzig
Church Advertising by Pastor Paul Holstein, Leipzig
Church Advertising, Almost a Fantasy by Ulrich Berner, Leipzig
Where Do We Want to Go? by H. K. Frenzel, Berlin
LEGAL ISS
Prize-Winning Competition Essay by Dr. Ernst Eckstein,
Religious graphic design.
Church and Film. By Heinrich Behrmann, Leipzig
On the Color Organ By Dr. Hans Heller, Hamburg-Blankenese
On Postal Advertising
Walking Advertising
The “Advertising Plague” in Election Campaigns
Against the Defacement of the Cityscape
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content
When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz
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Designer Profiles, Members Only Content
Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
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Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
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