Der Druckspiegel, 02, February 1961

Information

Content includes:
KURT WEIDEMANN Object lesson – a future for letterpress
WILHELM BRETAG Competition between printing processes
ARNOLD HARTMANN Letters with sanserif characteristics
DIETER BREUER Why so many book sizes?
DR. WERNER P. HEYD Interpunctuation VIII (footnotes)
J. A. GEISSL Abbreviations and how to make them in German and other languages, part II
ROLF-DIETER GRONWALD – TTS efficiency today
HEINZ H. SCHMIEDT The complete book factory – part II
PETER KASPER Nomograms to calculate exposure in process photography
A checklist of electric trucks for inter-departmental mechanical handling in the graphic arts factory
ROLF ATE Information assists production
KONRAD TANNERT Running headlines
Practical hints Home-made Astrafoil blocks
Transfer printing for lino cuts
Design procedure
Smearfree sheet delivery
THE SPECIAL SUPPLÉMENTS
Individually designed advertisements
The small Bauer guide to astrology
Stempel Optima type
BIERING-NUMBERGER: printing for hotels and restaurants
Reproduction inset: Engraved blocks

Details

Linked Information

Der Druckspiegel, 02, February 1961
Der Druckspiegel, 02, February 1961
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.