Information

Content includes:
Emil MUNDINGER On the problem of training engineers for the graphic arts
WALTER MEHNERT Failed journeyman exams
DR. KARL RUF Some hints on wage accounting
HELMUT WEYGANDT True letter characters
Time waste in hand- and single-type composition
AUGUST WIESCHENDORF Spacing and justifying of slug composition
DR. WERNER P. HEYD Our orthographic competition on interpunctuation
DR. OSKAR BUCHMANN Words are not sacrosanct
R. REMMERT The 3M makeready process
A. BOLLIGER The future of sheet-fed rotaries
H. MAIER Form printing
Experiments to determine etching and gumming behaviour of zinc plates
HARALD KÜPPERS Engraved blocks
Notes on standardisation of basic ink shades for ink mixing in letterpress
THE SPECIAL SUPPLEMENTS
Business stationery for printers
Results of our design exercise 1/61

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Linked Information

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961

 

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961

 

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.