Content includes:
Emil MUNDINGER On the problem of training engineers for the graphic arts
WALTER MEHNERT Failed journeyman exams
DR. KARL RUF Some hints on wage accounting
HELMUT WEYGANDT True letter characters
Time waste in hand- and single-type composition
AUGUST WIESCHENDORF Spacing and justifying of slug composition
DR. WERNER P. HEYD Our orthographic competition on interpunctuation
DR. OSKAR BUCHMANN Words are not sacrosanct
R. REMMERT The 3M makeready process
A. BOLLIGER The future of sheet-fed rotaries
H. MAIER Form printing
Experiments to determine etching and gumming behaviour of zinc plates
HARALD KÜPPERS Engraved blocks
Notes on standardisation of basic ink shades for ink mixing in letterpress
THE SPECIAL SUPPLEMENTS
Business stationery for printers
Results of our design exercise 1/61
Design Archive Feature, Magazines & Publishing, Members Only Content, Movements
Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Read Article
Design Archive Feature, Members Only Content
Westvaco Inspirations was founded in 1925 by the West Virginia Pulp and Paper Company. Bradbury Thompson’s produced approximately sixty issues, experimenting with typography, photography, and illustrations.
Read Article
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.
Read Article