Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Der Druckspiegel, 07, July 1967

Information

Details

  • Format: Magazine
  • Designer/s: Dieter Kani
  • Year: 1967
  • Client/Publisher: Der Druckspiegel Verlag
  • Size: 173mm x 242mm

Linked Information

Der Druckspiegel, 07, July 1967. Designed by Dieter Kani
Der Druckspiegel, 07, July 1967. Designed by Dieter Kani
More graphic design artefacts
Chibrituri Bucuresti Romanian matchbox labels
From the design archive:

Chibrituri Bucuresti Romanian matchbox labels

  • Format: Matchbox Labels
  • Year: est. 1969
View Artefact
Gebrauchsgraphik, 06, 1924
From the design archive:

Gebrauchsgraphik, 06, 1924

  • Format: Magazine
  • Designer/s: Otto Arpke
  • Year: 1924
View Artefact
Frank Lloyd Wright, Boymans van Beuningen, 1952 designed by Benno Wissing
From the design archive:

Frank Lloyd Wright, Boymans van Beuningen, 1952

  • Format: Exhibition Catalogue
  • Designer/s: Benno Wissing
  • Year: 1952
View Artefact
BP Racing '61, BP, 1961 Designed by Newman Neame Limited
From the design archive:

BP Racing ’61, BP, 1961

  • Format: Brochures
  • Designer/s: Newman Neame Limited
  • Year: 1961
View Artefact

view more of the graphic design archive

More graphic design history articles
montages5
  • Designer Profile

Ken Garland

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG
  • Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
mlfineart-matteolampertico-franco-grignani-dissociazione-al-bordo-n.-145-1967 copy
  • Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

Members Content

FUN, October 16, 1869
  • Design Archive Feature, Members Only Content

Victorian Graphic Design in Britain and America

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.