Information

Content includes:
The future of newspapers
1. ERICH WAGNER The future of news
2. BEREND H. FEDDERSEN The future reading public
3. The future of advertisements
4. TH. H. OLTHETEN The future of technology – Roads in Utopia?
The insetter control makes progress
ERICH WAGNER Valmy is also near Middletown
‘Asahi’ – pacemaker of technology
KURT WEIDEMANN Face-lift for a newspaper
HANS-JOACHIM KEMPE History of German newspaper advertisements
FRITZ FABER Newspaper color advertising on the march
WALTHER MEYER – STOLL Hi-Fi advertisements in newspaper practice
KLAUS F. SCHMIDT, NEW YORK Colour newspapers in the USA
H. HILDEBRAND Newspapers composing rooms and their role in the flow of work
FRIEDRICH STEPHAN Ludlow in the newspaper composing room
WERNER WOLF Efficient operation with display composition machines in newspaper and magazine offices
ROLAND VON ANGERER HYDROPLATE – a fully automatic round stereo casting plant
FRED FARRIER
The RCA Electrofax plate for daily newspapers
HEINZ BRANDHORST Economical production on modern news rotaries
Klaus F. SCHMIDT, NEW YORK Electronic register control on rotary presses
GOTTFRIED DYRSSEN Reel paper handling and transport in the printing plant
Practical hint
Secure fountain splitting
THE SPECIAL SUPPLEMENTS
BIERING-NUMBERGER Greeting cards
Design exercise 4 / 61
The Best German Books 1960

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Linked Information

Der Druckspiegel, 11, November 1961
Der Druckspiegel, 11, November 1961
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.