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Der Druckspiegel, 11, November 1967. Designed by Dieter Kani
Der Druckspiegel, 11, November 1967. Designed by Dieter Kani
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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"Heart: Anatomy, Function, and Diseases" (Dell, 1962), by Rudolf Hoffmann and illustrated by George Giusti, demonstrates how illustrations effectively convey complex and emotional topics whilst providing valuable information.