Design, Council of Industrial Design, 196, April 1965

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Content includes:
Comment, Human error is a fact
Inquiry, Safety in the home by Claire Rayner
Industrialised building, Social and economic background by Terence Bendixson
Polypropylene chair
New products
Transport Looking after the lorry driver by Jack Davey
Overseas, Three part system by Richard Carr
Moulded chair, An Italian chair breaks new ground in moulding techniques
Norwegian design centre, A new design centre has recently been opened in Oslo

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Linked Information

Design, Council of Industrial Design, 196, April 1965. Cover design by Dennis Bailey
Design, Council of Industrial Design, 196, April 1965. Cover design by Dennis Bailey
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From the design archive:
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.