Design, Council of Industrial Design, 216, December 1966

Information

Content includes:
Whatever happened to our folk memory ?
Profit by design: a report on the 1966 international design congress
Products, interiors, events, ideas
The sorting office goes automatic by Richard Carr
British poster design awards 1966
Signs of the times at Glasgow airport by Gillian Naylor
American views on design education by Malcolm J. Brookes

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Design, Council of Industrial Design, 216, December 1966. Cover design by Tony Anderson
Design, Council of Industrial Design, 216, December 1966. Cover design by Tony Anderson
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.