Design, Council of Industrial Design, 224, August 1967

Information

Content includes:
Leader: Public purchasing and all that stems from it
Crowd scenery at Expo by Nicholas Taylor
A new breed of cruiser: the Dell Quay J.20 by Richard Carr and Angus S. Primrose
Designing for power: an examination of CEGB policy by David Wainwright
An experiment for industry in Ireland by Susan Forsyth
Products, interiors, events, ideas

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Design, Council of Industrial Design, 224, August 1967
Design, Council of Industrial Design, 224, August 1967
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.