Content includes:
London Airport by John E. Blake
The Progress of Packaging by Norbert Dutton
Space For Decoration – A Rejoinder by Reyner Banham
A New British Typewriter by L. Bruce Archer
Artist In Glass
Furniture Survey: All-Purpose Chairs by A. Gardner-Medwin
Stand Into Stage Set
Fluorescent Lighting: Unit Development by John Gray
Australian Market Report
Posters In The Louvre by René Elvin
Oversea Review
Ireland and Italy
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Corporate Identity & Branding, Members Only Content
Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives
A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
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