Design (Japan), 095, 1967

Information

Content includes:
Posters from the World Exposition
People, civilization, and culture – Considerations on design / Ryuichi Hamaguchi
The person and work of Kazumasa Nagai / Tadanori Yokoo
From the exhibition of contemporary American living art / Yoshiaki Inui
Nikke posters – Fragments of Japanese advertising art history ⑨ / Hiroshi Hara
ONO Jin ④ / Takashi Ono
Display at the Finnish architecture exhibition / Kenji Fujimori
Design digest
Self-portrait of a late wartime generation – Designer’s three-way mirror / Takao Imazu
Design using screens and apertures ② – Discovering visual design through printing technology ③ / Dai Nippon Printing

Details

Linked Information

Design (Japan), 095, 1967. Cover design by Nadamoto
Design (Japan), 095, 1967. Cover design by Nadamoto

 

Design (Japan), 095, 1967
Design (Japan), 095, 1967
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

Members Content

Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.