Tsunehisa Kimura - Japanese Graphic Designer

Design (Japan), 140, 1970

Information

Content includes:
Photography For the words to come / Negishi Jun
Graphics
Announcement
ABAB (Abu-Abu) / Tone Yasunao
Special feature: Katayama Toshihiro’s works From the Square + Movement exhibition
Discussion ⑤ The work of a designer / Kanai Jun + Kubo Kei + Sakata Eiichiro + Yoko Mitsuhashi
From the Yamagiwa International Lighting Competition
Design Digest
Wolfgang Walther’s Works
Series 23 Edo Design: The Shogunate and Clan System (Faculty Arrangements) / Shinichi Kusamori
Series 10: Transforming Architecture: A Reference to a Hidden Dimension / Koji Taki

Details

Linked Information

Design (Japan), 140, 1970.  Cover design by Tsunehisa Kimura
Design (Japan), 140, 1970. Cover design by Tsunehisa Kimura
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.

Members Content

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.