Yusaku Kamekura - Graphic Designer - Japan

Design (Japan), 38, September 1962

Information

Table of Contents
1962 Nissenbi Exhibition Special Issue For those who aspire to be graphic designers of tomorrow
Nissenbi Award Works
Specially Selected Works
Encouragement Award Works
Selected Works
Looking at the 12th Exhibition from the Judges’ Standpoint
・A true “product poster”… / Kamekura Yusaku
・Judging the 62nd Nissenbi Exhibition / Hayakawa Yoshio
・The sweetness of conspicuous illustrations / Kuriyagawa Kenichi
・Judging from a local perspective / Nishijima Isao
・Energy strikeouts / Tanaka Ikko
・From hands to eyes + brains / Sugiura Kohei
Passion for reality and proposals / Kawazoe Noboru
Roundtable discussion: Around the time of the founding of the Japan Advertising Beauty Association / Yamana Fumio + Kamekura Yusaku + Hara Hiroshi + Itabashi Yoshio

Details

Yusaku Kamekura, born in 1915, graduated from the Institute of New Architecture and Industrial Arts. In 1960, he helped establish Nippon Design Center Inc. and served as its managing director. The following year, in 1961, he received a grand prize from the Ministry of Education. In 1962, he transitioned to working as a freelance designer.

Linked Information

Design (Japan), 38, September 1962. Cover design by Yusaku Kamekura
Design (Japan), 38, September 1962. Cover design by Yusaku Kamekura
Yusaku Kamekura, born in 1915, graduated from the Institute of New Architecture and Industrial Arts. In 1960, he helped establish Nippon Design Center Inc. and served as its managing director. The following year, in 1961, he received a grand prize from the Ministry of Education. In 1962, he transitioned to working as a freelance designer.
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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.