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Collected Graphic Design History from Design Reviewed

Design (Japan), 62, 1964

Information

Content includes:
New York by Line / Hiroshi Manabe
Considerations surrounding design: The art of harmony / Sadayuki Ando
Herman Miller Tokyo Showroom
・About Herman Miller / Tadaomi Mizunoe
・Thinking about Herman Miller’s landing in Japan / Isamu Kenmochi
・Around Eames’ chair / Riki Watanabe
・Imports of high-quality furniture should be welcomed / Kenzaburo
・Eames’ “ka” “kata” “shape” / Kiyonori Kikutake
Tokyo Olympics Official Poster Religious Tranquility / Yusaku Kamekura
Tour of design schools around the world ⑧ Art Center School, Los Angeles / Masaaki Tanaka
My Favorite Design 1st Exhibition
・Yasuhiro Ishimoto
・Kenji Ito
・Taro Okamoto
・Katsumi Masaru
・Yusaku Kamekura
・Isamu Kenmochi
・Junzo Sakakura / Armchair (Kofold Larsen)
・Kiyoshi Seike / British Officers Chair
・Shuzo Takiguchi / Munari supplement; Munari’s fork; Italian dictionary supplement; ashtray; stainless steel bowl
・Ryuichi Hamaguchi
・Hiroshi Hara
・Katsuo Matsumura
・Sori Yanagi / Animal building blocks: Enzo Mari and others
・Takamasa Yoshizaka
・Junzo Yoshimura
・Riki Watanabe / Secticon Watch: Angelo Mangiarotti and others
Designer three-sided mirror in a traditional feature / Kenichi Kuritanikawa
design digest
This design ⑦ Ikko Tanaka’s poster / Kazumasa Nagai
Matsuya Mobilia Section / Katsuhiko Shiraishi
From Mosuke Yoshitake Design Exhibition / Iwataro Koike

Details

  • Format: Magazine
  • Designer/s: Kohei Sugiura
  • Year: 1964
  • Client/Publisher: Bijutsu Shuppansha
  • Size: 210mm x 297mm

Linked Information

Design (Japan), 62, 1964 Cover design by Kohei Sugiura
Design (Japan), 62, 1964 Cover design by Kohei Sugiura

 

Design (Japan), 62, 1964 Back Cover design by Kohei Sugiura
Design (Japan), 62, 1964 Back Cover design by Kohei Sugiura
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Der 14. Juli, Atlas Films Poster, 1960s

  • Format: Poster
  • Designer/s: Karl Oskar Blase
  • Year: 1960s
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Industrial Design, November, 1958. Cover designed by James S Ward
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Industrial Design, November, 1958

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  • Designer/s: James S Ward
  • Year: 1958
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And So To Sew Bulletin 3a, 1950s

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Gebrauchsgraphik, 2, 1958. Cover design by Wilhelm Neufeld
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Gebrauchsgraphik, 02, 1958

  • Format: Magazine
  • Designer/s: Wilhelm Neufeld
  • Year: 1958
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Hans Adolf Albitz und Ruth Albitz-Geiß, Subway boardings (3,80 × 2,50 m).
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Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
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BKG Basler Konsum-Gesellschaft Basel designed by Celestino Piatti, Riehen in 1957
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Swiss Posters from the 1957 Best Poster Award (Die besten Plakate des Jahres 1957)

The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.
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Record sleeve design by the typography class headed by Albrecht Ade, 1961
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Work of the Werkkunstschule Wuppertal typography class 1960-1961, headed by Albrecht Ade

Albrecht Ade's students produced some great typographic compositions and print work in his typography class, here's a selection of the work and information about Albrecht Ade.
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Design, Council of Industrial Design, 116, August 1958. Cover design by Ken Garland copy
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Ken Garland and the British magazine, Design

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
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