
Content includes:
SPECIAL ISSUE – ’65 EXHIBITION OF JAPAN ADVERTISING ARTISTS CLUB
A reading of sensualy JAAC theory, by Yusuke KAJI
List of Prize-Winning, Winning Works and Second place Winning
Prize-Winning Works from the general public
Winning• Works from the general public
The beautiful trap and the loss of critical eye, by Shinya IZUMI
More varied forms of exhibition, by Susumu HAYASHI
Defects of JAAC exhibit, by Hiroaki ARIMA
Confusion in design, by Isamu KURITA
Member’s entry
List of JAAC Members
Mark Design as lettering (6), by Takao IMAZU
Designer’s triple Mirror: a by Hiromu HARA
rendez-vous with typography

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Illustration, Members Only Content, Regional Histories
Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
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Design Archive Feature, Advertising Design, Designer Profiles, Members Only Content, Regional Histories
Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. He used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.
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Design Archive Feature, Designer Profiles, Members Only Content, Poster Design
Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.
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