Information

Content includes:
SPECIAL ISSUE – ’65 EXHIBITION OF JAPAN ADVERTISING ARTISTS CLUB
A reading of sensualy JAAC theory, by Yusuke KAJI
List of Prize-Winning, Winning Works and Second place Winning
Prize-Winning Works from the general public
Winning• Works from the general public
The beautiful trap and the loss of critical eye, by Shinya IZUMI
More varied forms of exhibition, by Susumu HAYASHI
Defects of JAAC exhibit, by Hiroaki ARIMA
Confusion in design, by Isamu KURITA
Member’s entry
List of JAAC Members
Mark Design as lettering (6), by Takao IMAZU
Designer’s triple Mirror: a by Hiromu HARA
rendez-vous with typography

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Linked Information

Design No.76 October 1965. Cover design by Takashi Kono
Design No.76 October 1965. Cover design by Takashi Kono
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.