Design (Japan), 089, 1966

Information

Content includes:
SPECIAL ISSUE – ’66 EXHIBITION OF JAPAN ADVERTISING ARTISTS CLUB
Analysis of JAAC Set-Up, by Ichiro HARYU
Prize- Winning Works from the General Public
The Winning Works from the General Public
More Creative Efforts and More Criticism in JAAC, as a Member of Exhibition Judges, by Kiyoshi AWAZU
List of Prize- Winning, Winning Works and Second Place Winning Works
Cognition of the Subject, by Ryuichi HAMAGUCHI
Ruins of a Haunted Castle, by Shuji TERAYAMA
Demonstration Panel
What does Communication mean in Design? by Isamu KURITA
Member’s entry
JAAC, Go ahead ! ! by Tadanori YOKO0
Designer’s Triple Mirror In Those Days, by Kazumasa NAGAI
A Page from the History of Japanese Advertising Art-3: Small Advertisement, by Hiromu HARA
Design Digest
Cover Design by Hiroshi MANABE

Details

Linked Information

Design No.89 October 1966. Cover design by Hiroshi Manabe
Design No.89 October 1966. Cover design by Hiroshi Manabe
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Many designers played an important role in IBM's graphic identity and implementation including Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.