Content includes:
SPECIAL ISSUE – ’66 EXHIBITION OF JAPAN ADVERTISING ARTISTS CLUB
Analysis of JAAC Set-Up, by Ichiro HARYU
Prize- Winning Works from the General Public
The Winning Works from the General Public
More Creative Efforts and More Criticism in JAAC, as a Member of Exhibition Judges, by Kiyoshi AWAZU
List of Prize- Winning, Winning Works and Second Place Winning Works
Cognition of the Subject, by Ryuichi HAMAGUCHI
Ruins of a Haunted Castle, by Shuji TERAYAMA
Demonstration Panel
What does Communication mean in Design? by Isamu KURITA
Member’s entry
JAAC, Go ahead ! ! by Tadanori YOKO0
Designer’s Triple Mirror In Those Days, by Kazumasa NAGAI
A Page from the History of Japanese Advertising Art-3: Small Advertisement, by Hiromu HARA
Design Digest
Cover Design by Hiroshi MANABE
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
Winter + Bischoff’s work blends fine art and graphic design and is a fine example of commercial design featuring a heavy use of stylistic illustration. In fact a lot of German graphic design in the 1960s has this strong relationship of commercial and professional typographic layout with the roughness and organicness of art.
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The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past
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Corporate Identity & Branding, Design Archive Feature
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
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