verlag felix handschin, basel / basler politische schriften 3, 1956
printer: buchdruckerei winterthur ag, winterthur
Details
Format: Book
Designer/s: Karl Gerstner
Year: 1956
Client/Publisher: Verlag Felix Handschin
Size: 150mm x 210mm
Karl Gerstner worked across graphic design, typography and photography. He worked in the art department of Geigy and carried out all the graphic design work connected with the bicentenary celebrations of the firm in 1958. In 1959, Gerstner and copywriter, Markus Kutter, founded the Gerstner+Kutter advertising agency, whose clients included Citroën cars, Krupp, Holzäpfel KG, Schwitter AG, Bech Electronic Centre.
Die Neue Stadt, Verlag Felix Handschin, 1956. Designed by Karl Gerstner
Die Neue Stadt, Verlag Felix Handschin, 1956. Designed by Karl Gerstner
Die Neue Stadt, Verlag Felix Handschin, 1956. Designed by Karl Gerstner
Karl Gerstner worked across graphic design, typography and photography. He worked in the art department of Geigy and carried out all the graphic design work connected with the bicentenary celebrations of the firm in 1958. In 1959, Gerstner and copywriter, Markus Kutter, founded the Gerstner+Kutter advertising agency, whose clients included Citroën cars, Krupp, Holzäpfel KG, Schwitter AG, Bech Electronic Centre.
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
Direction of Travel is a project by Christian Nolle, a half Danish/half German London based artist and map collector. He has spent decades creating work, often in photographic form, that looks at the interplay between aviation, politics and the cities we live in. Christian is also the Founder and Head of Good Caesar, a design and technology studio.
In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.
