DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010

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Exhibition catalogue of DNP Graphic Design Archives Collection II “Ikko Tanaka Posters 1953–1979 Graphic Design”
Text: Kazumasa Nagai, Shoji Usuda

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DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010
DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010

 

DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010
DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010

 

DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010
DNP Graphic Design Archives Collection II Ikko Tanaka Posters 1953-1979, 2010
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Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.