Karl Oskar Blase

Documenta 6, Kassel, 1977

Catalogue for D6 in Kassel, 24.06.-02.10.1977
Volume 1, Introduction, Painting, Plastic/Environment, Performance. 320 pages
Volume 2, Photography, Film, Video. 357 pages
Volume 3, hand drawings, utopian design, books (artist’s books). 376 pages

Details

  • Format Book
  • Designer/s Karl Oskar Blase
  • Year 1977
  • Size 211mm x 303mm
Karl Oskar Blase
Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films. Explore related designers including Gunter Rambow and Hans Hillmann. See also German graphic design history, Posters, Stamps.

Linked Information

Documenta 6, Kassel, 1977
Documenta 6, Kassel, 1977
More graphic design artefacts
More graphic design history articles
Industrial Advertisements. A selection of works from the book, Swiss Industrial Graphic Design

Advertising Design, Design Archive Feature, Members Only Content, Regional Histories

Industrial Advertisements. A selection of works from the book, Swiss Industrial Graphic Design

A short essay and scanned advertising from Swiss Industrial Graphic Design. A rare book focused on effective industrial promotion authored by Hans Neuburg. The design of the book is credited to Hans Neuburg and Walter Bangerter.

Read Article
The Magic and Work of Günther Glückert

Design Archive Feature, Illustration, Members Only Content

The Magic and Work of Günther Glückert

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

Read Article
The Aims of Young Designers: George Plante, 1934

Advertising Design, Design Archive Feature, Illustration

The Aims of Young Designers: George Plante, 1934

“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

Read Article