Information

Content includes:
Grattaciielo sui Reno, a Dusseldorf by Paul Schneider-Esleben
Una Chiesa di Neutra in California by Richard Neutra: 6 pages and many images by Julius Shulman
Il Nuovo Negozio Olivetti a Venezia by Carlo Scarpa: six pages in black and white images
Un Asilo a Gubbio by Marco Zanuso
Sulle Colline a Nord di Udine by Gianni Avon
Edizioni per Gli Architetti
Casa a Monteleggero by Annibale Fiocchi
Interni a Milano by Ettore Sottsass: 14 pages and 28 color and black and white images of apartment interior decoration by the master his own bad self.
Particolari di Tre Arredamaneti by V. Borachia , C. Santi,
La Quinta Biennale di San Paolo by Gillo Dorfles
New English Office Furniture by M. Grierson and K. Townsend

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Linked Information

Domus 362, January 1960. Cover design by William Klein
Domus 362, January 1960. Cover design by William Klein

 

Domus 362, January 1960. Back Cover
Domus 362, January 1960. Back Cover
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.