Mart Kempers

Drukkersweekblad en Autolijn Kerstnummer 1953, 1953

Details

  • Format Book
  • Designer/s Mart Kempers
  • Year 1953
  • Size 240mm x 310mm
Mart Kempers
Mart Kempers studied at the School of Arts and Crafts in Amsterdam during WWII and later worked at the Amsterdam Typefoundry, designing promotional materials. From 1957, he freelanced, focusing on book design for industrial clients. Explore related designers including Wim Crouwel and Total Design. See also Dutch Modernism and Dutch graphic design history.
Drukkersweekblad Autoljin
Drukkersweekblad en Autolijn was a Dutch periodical associated with the printing industry.

Linked Information

Drukkersweekblad en Autolijn Kerstnummer 1953, 1953. Design by Mart Kempers
Drukkersweekblad en Autolijn Kerstnummer 1953, 1953. Design by Mart Kempers
More graphic design artefacts
More graphic design history articles
1920s Japanese Publicity Design of the Shochikuza Theatre

Design Archive Feature, Illustration, Members Only Content, Regional Histories

1920s Japanese Publicity Design of the Shochikuza Theatre

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

Read Article
Photo Graphik. The Design Supplement of Der Druckspiegel 11, 1964

Design Archive Feature, Magazines & Publishing, Members Only Content

Photo Graphik. The Design Supplement of Der Druckspiegel 11, 1964

The supplement in the November issue of Der Druckspiegel from 1964 featured a ton of work designed by Peter Steiner, a graphic artist; Peter Beck, his colleague; and Rolf Herkner, a photographer. The three of them worked in collaboration to design ‘graphic-typographic-photographic experiments’.

Read Article
Kohei Sugiura. Japanese Graphic Designer | 1932

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Kohei Sugiura. Japanese Graphic Designer | 1932

Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics. Drawing on his background in architecture, Sugiura applied a systematic, programmatic methodology to graphic design, similar to the approach of Swiss designer Karl Gerstner. 

Read Article