Join the Mailing List

Membership

Graphic Design History from Design Reviewed
Dick Elffers - Dutch Designer and Illustrator

Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962

, , , , ,

Information

Details

  • Format: Book
  • Designer/s: Jan Bons, Wim Brusse, Wim Crouwel, Dick Elffers, Willem Sandberg, Otto Treumann, Ed van der Elsken (photography)
  • Year: 1962
  • Client/Publisher: Amsterdam, 1962
  • Size: 240mm x 310mm

Linked Information

Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962
Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962

 

Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962
Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962

 

Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962
Drukkersweekblad en Autolijn Kerstnummer 1962 / 53, 1962
More graphic design artefacts
Italiens Moderne, Futurismus und Rationalismus, 1990
From the design archive:

Italiens Moderne, Futurismus und Rationalismus, 1990

  • Format: Exhibition Catalogue / Book
  • Year: 1990
View Artefact
Atlas Filmheft 64 - Ein Amerikaner in Paris designed by Michel + Kieser
From the design archive:

Atlas Filmheft 64 – Ein Amerikaner in Paris

  • Format: Film Programme
  • Designer/s: Michel + Kieser
View Artefact
Club Twenty-One™, Type Specimen, 1999
From the design archive:

Club Twenty-One™, Type Specimen, 1999

  • Format: Type Specimen
  • Designer/s: Julian Morey / Club Twenty-One
  • Year: 1999
View Artefact
Typografia, ročník 60, 11-12, 1957. Cover design by Oldřich Hlavsa
From the design archive:

Typografia, ročník 60, 11-12, 1957

  • Format: Magazine
  • Designer/s: Oldřich Hlavsa
  • Year: 1957
View Artefact

view more of the graphic design archive

More graphic design history articles
Scan 47 copy 2
  • Design Archive Feature

House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

Engineering, British Job Centre Postcard, mid to late 1970s
  • Design Archive Feature, Members Only Content

Friendliness and Efficiency. 1970s Postcards for the British Job Centre

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency
Untitled-1_0002_Screenshot 2022-02-17 at 14.57.52
  • Design Books

Visual identity and branding at Olivetti published by Triest Verlag

I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.

Members Content

Nobuyoshi Yamada Poster (Kriemhild's Revenge) 1925. Scanned from Modernism on Paper 1920s-30s Japanese Graphic Design, Rikuyosha, 2003
  • Design Archive Feature, Members Only Content

1920s Publicity Design of the Shochikuza Theatre

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.