Information

Content includes:
AD PETERSEN / PIETER MOL – Notes from an Interview
CAREL BLOTKAMP – The painter Daan van Golden,
ANTJE VON GRAEVENITZ – Herman Scholten; Désirée Scholten- van de Rivière,
WIM DE WIT – The new Wing of the Kröller-Müll Museum at Otterlo. A building by Wim G. Quist
PAUL HEFTING – Ad Dekkers. Two Walls in the Kröller-Müller Museum
MARION FRITZ- JOBSE – Peter Struycken’s colour programme for the Slatted Walls of the Auditorium of the Kröller-Müller Museum

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Linked Information

Dutch Art + Architecture Today 02, 1977. Designed by Jan van Toorn
Dutch Art + Architecture Today 02, 1977. Designed by Jan van Toorn
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.