
Content includes:
AD PETERSEN / PIETER MOL – Notes from an Interview
CAREL BLOTKAMP – The painter Daan van Golden,
ANTJE VON GRAEVENITZ – Herman Scholten; Désirée Scholten- van de Rivière,
WIM DE WIT – The new Wing of the Kröller-Müll Museum at Otterlo. A building by Wim G. Quist
PAUL HEFTING – Ad Dekkers. Two Walls in the Kröller-Müller Museum
MARION FRITZ- JOBSE – Peter Struycken’s colour programme for the Slatted Walls of the Auditorium of the Kröller-Müller Museum

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.
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Design Archive Feature, Designer Profiles, Members Only Content, Movements, Regional Histories
Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
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Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
Many designers played an important role in IBM's graphic identity and implementation including Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
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