Dutch Art + Architecture Today 18, 1985

Information

Content includes:
PAUL HEFTING – The unity of the opposites, Rudi va de Wint
TINEKE REIJNDERS – Rob Scholte
EVERT VAN STRATEN – Collections of the State and State Acquisitions
REM KOOLHAAS – Artist’s pages
ROMMERT BOONSTRA – Staged Photography
JETTEKE BOLTEN-REMPT – The versatility of Wim Crouwel
JOOST MEUWISSEN – The Waterman Plan, Holland strip in the sea
GEURT IMANSE – List of publications

Details

Linked Information

Dutch Art + Architecture Today 18, 1985. Designed by Jan van Toorn
Dutch Art + Architecture Today 18, 1985. Designed by Jan van Toorn
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

Members Content

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

Members Content

Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.

Members Content

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.