Printed at Lompa Printing, Albany, CA.
Designer and editor: Rudy VanderLans.
Typeface design: Barry Deck (Template Gothic).
CONTENTS:
Rudy VanderLans, Introduction. PDF Download
Keith Robertson, Starting from Zero (essay).
Rudy VanderLans, 3 . . . Days at Cranbrook (interview with Katherine McCoy, P. Scott Makela, Edward Fella and Laurie Haycock Makela).
Laurie Haycock Makela, No Sign No Form No Word No God (design and essay).
Rudy VanderLans, interview with Henk Elenga of Hard Werken.
John Weber, Design Nirvana (essay with projects by Weber).
Rudy VanderLans, Emigre Music Manifesto? (essay).
Mail (including Gerard Unger).
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content
Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
Gebrauchsgraphik 08, 1964 features a selection of the German Posters entered into the 1963/64 awards. 22 posters were awarded by the Association of German Commercial Artists and the awards showcased some of the best poster designs of the year, that still remain effective and stylish today.
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Advertising Design, Design Archive Feature, Members Only Content
Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet.
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