Emigre 57, Lost Formats Preservation Society, December 2001

Information

Guest editors and art directors: Experimental Jetset (Erwin Brinkers, Danny van den Dungen and Marieke Stolk).

Content Includes:
Jeff Rian, Zero (essay).
Andreas Angelidakis, The Beginning of a Manifesto for a One-Click Architecture (essay).
Miltos Manetas, Save As . . . (essay).
Ian Sevonius, Why the Gospel Yeh-Yeh – Downsizing in Rock-n-Roll and the Gospel Dialectic (essay).
The Emigre Product Catalog, (including The Readers Respond).
Delaware, We Love the New York Times (visual project).

Details

Linked Information

Emigre 57, December 2000 designed by Experimental Jetset
Emigre 57, December 2000 designed by Experimental Jetset

Emigre 57, Lost Formats Preservation Society, December 2001
Emigre 57, Lost Formats Preservation Society, December 2001

 

Emigre 57, Lost Formats Preservation Society, December 2001
Emigre 57, Lost Formats Preservation Society, December 2001

 

Emigre 57, Lost Formats Preservation Society, December 2001
Emigre 57, Lost Formats Preservation Society, December 2001
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.