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Printed on Kraft, coloured paper and transparent paper, illustrated with typographic compositions on French-German-English texts by Gandhi, Freud, Bergson, Voltaire and La Rochefoucault.

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Experimenta Typographica 2, 1969. Designed by Willem Sandberg
Experimenta Typographica 2, 1969. Designed by Willem Sandberg

 

Experimenta Typographica 2, 1969. Designed by Willem Sandberg
Experimenta Typographica 2, 1969. Designed by Willem Sandberg
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.