Eye, Issue 001, Autumn 1990

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Opinion: Agenda- Neville Brody, Small is more creative
Features:
Reputations: Bruno Monguzzi by Valentina Boffa
In the first of Eye’s interviews with designers of renown, we talk to the Swiss typographer about perception, perfection and the pitfalls of style
Modernism by mail by the editor
A two-part examination of design at the Dutch post office
Official anarchy
For seventy years the PTT has been an exemplary patron
Flexible geometry by Hugh Aldersey-Williams
How Studio Dumbar propelled the PTT into the present
The good radical by Yvonne Schwemer-Scheddin
In Eckhard Jung’s work the teaching of Ulm lives on
Cool, clear, collected by Robin Kinross
Blue Note designer Reid Miles and photographer Francis Wolff were a classic combo. Their covers have been envied, imitated, but rarely equalled.
TV in the age of eye candy by Jim McClellan
People used to say the ads were the best thing on British TV. Now it’s the graphics which are overwhelming the programmes.
Reviews: Type90

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Eye, Issue 001, Autumn 1990
Eye, Issue 001, Autumn 1990
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.

Members Content

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.