Opinion:
The persona non grata who lives on the Web – Agenda, Janice Hart
Communication on the Web
What happens when the edges dissolve? – Monitor, Loretta Staples
We are living in a time of profound ambiguity. Physical and institutional boundaries are in flux. The blur is the emblem of design in the 1990s.
Features:
Reputations: Fabien Baron by Abbott Miller
‘Putting too much interpretation into design is not good … For me, the reasons behind it are more primitive than philosophical or sociological’
A Humument by Eye editors
Tom Phillips’s treated novel is a key text in the short history of deconstruction and experimental print.
Land of Logos by Michael Horsham
For Britain’s public institutions, corporate image-building plays a central role in the marketing mix
Meta’s tectonic man by William Owen
In Erik Spiekermann’s hands, typographic design is a tool for rendering the world more accessible
The 30-second sell by David Redhead
Eight-page illustrated feature on paperback book cover design, including interviews with the Senate, Rex Ray, Angus Hyland
The tenth pioneer by Martha Scotford
Cipe Pineles was a design innovator. Why, when the history came to be written, was she left out?
Under the surface of style by Andrew Blauvelt
Designers and critics alike reject style as shallow and meaningless. But they overlook the complex ways in which its codes are used by different social groups.
Words made flesh by Ellen Lupton
Johanna Drucker pursues a double life as a historian of letterforms and a maker of artist’s books.

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
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Design Archive Feature, Advertising Design, Members Only Content
Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
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