Eye, Issue 026, Autumn 1997

Information

Opinion:
The oldness of new – Editorial, Max Bruinsma
Does graphic design need redefinition? Maybe, but the profession’s rich visual tradition should not be discarded…
Not as other media – Agenda, Nico Macdonald
Web designers must face some tough questions
Television did it first – Screen, Jessica Helfand
Ten myths and misconceptions about the so-called ‘new’ media
Features:
Sound, code, image by John L. Walters
Postwar composers, such as Cage, Cardew and Crumb, have left an exuberant legacy of seductive graphic scores that still puzzle and fascinate the artists and musicians of today.
Eyes on the world by Steven Heller
They are obsolete now, but the picture magazines of the pre-TV era were breeding pens for today’s visual narratives
Keep it simple by Max Bruinsma
Mieke Gerritzen brings her visual language of graphic emblems and clear-cut lines, colours and type to the Web
Lost in the city by John Warwicker
A CD-ROM may combine poetic imagery with virtuoso programming, but is it the right medium to convey meaning?
Website design for grown-ups by Brett Wickens
The five windows of GoLive CyberStudio 2.0 help Web designers and HTML programmers to get along better
Dell Books
An early form of info-graphics, Dell Books’ lurid covers and ‘Mapbacks’ of the 1940s brought pulp crime fiction to life
Reputations: Gunter Rambow by Yvonne Schwemer-Scheddin
One of the few remaining poster designers with political edge now teaches his students to reflect more than just Zeitgeist.
Branding by David Peters
The Wieden & Kennedy agency provides big-name clients with the personal styles of cutting-edge graphic designers
The diaphanous machine by Max Bruinsma
Designers can bring clarity and consistency to Web interfaces and find new ways to organise navigation
Do-it-yourself by Julia Thrift
Activists were not interested in design sophistication, but their publishing tools imposed their own urgent aesthetics
Reviews:
The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy 1917-1946

Details

Linked Information

Eye, Issue 026, Autumn 1997
Eye, Issue 026, Autumn 1997
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

Members Content

Interiors was an American magazine published by Whitney Publications, New York and ran from 1940. Before being relaunched as Interiors, the magazine was originally called The Upholsterer which ran from 1888 until 1940.

Members Content

Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.

Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.