Eye, Issue 035, Sping 2000

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Opinion:
Editorial Eye 35 – John L. Walters
Whenever there is a burning issue, be it the end of illustration or the ethics of…
Invasion of the issue-snatchers by Rick Poynor
A disturbing ‘campaign’ by a clothing manufacturer blurs the line between editorial and advertising. Critique by Rick Poynor
Describe/draw a favourite memory – Screen, Jessica Helfand
In our high-speed culture, it is the still image that cuts through the clutter, that remains…
Just say no. . . quietly – Agenda,
‘First Things First’ really means ‘let’s get our priorities right’. It’s about daring to say no…
Features:
Reputations: Makoto Saito by Jan Kubasiewicz
‘I don’t trust words. You can say anything with words. I prefer a visual means of communication allows the message to be more direct’
The celebrated Mr B by Rick Poynor
The graphic output of one of Britain’s best loved artists, the originator of the iconic cover for Sgt. Pepper
The architect as illustrator by Catherine Slessor
The uncompromising, gravity-defying constructiond of Zaha Hadid’s practice owe their vision and form to reputation built on paper
Towards a complex simplicity by Andrew Blauvelt
In the face of global branding, designers are seeking inspiration from the everyday
All you need is love: pictures, words and worship by Julie Ault, Martin Beck
Sister Corita Kent’s freewheeling assemblages of text and image provide a new perspective on the 1960s obsession with messages and media.
Raised on ideas by Andrew Blauvelt
The answers to the perceived threat of illustration’s obsolescence lie in an understanding of the recent past, in education and in re-integration
Mail art by Jeremy Hall
In an ambitiuos programme, Roayl Mail has commissioned four dozen illustrations that strive to encapsulate 1000 years of British history
Return of the picture by Robert Mason
Illustration may be back in fashion, but for the profession to develop, practitioners must explore a more pictorial tradition of image-making

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Eye, Issue 035, Sping 2000
Eye, Issue 035, Sping 2000
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.