Eye, Issue 048, Summer 2003

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Opinion:
Editorial Eye 48 – John L. Walters
There are times when graphic design seems stuck in what Lorraine Wild called the Great Tao…
Cooper Black – Devotion, Armin Vit
Armin Vit admires the Cooper Black typeface
Getting it – correspondence, Letter to the editor,
Letter from Tracy J. Forman, General Manager, Arkitip
The design is the product – Letter to the editor, Todd St. John
The problem we share – Letter to the editor, Michael Johnson
Fetish and fantasy – Letter to the editor, Quentin Newark
Dismissal or criticism? – Letter to the editor, Christopher Wilson
A refreshing shock to the system – Monitor, Alice Twemlow
Jean Widmer, A Devotion to Modernism: Itinerary of a Designer from Zurich to Paris
Luxurious frugality by Rick Poynor
An in-flight magazine for bored bourgeois bohemians. Critique by Rick Poynor
Features:
826 Valencia by David Thompson
Chris Ware’s new mural tells the story of the human race
Protest banners by Jason Grant
Hand-made signs from an anti-war demo
Bring me the head of Nelson Mandela by Sean O’Toole
Activist; fugitive; prisoner; icon: the evolving face of a famous name
In any colour so long as it’s white by Daoud Sarhandi
Why does Mexican advertising look nothing like the Mexicans?
Punch cuts by Nick Shinn
The type and layout of a Victorian weekly anticipated Modernism
Retro-sexism by Judith Williamson
The bleak reality of sexism, however 1970s, or ‘cool’, demands a critique
Vector sex by Eye writers
Tracing the line from art for dummies to design for sexists
In my honey’s loving arms by Daniel Nadel
R. Crumb’s portraits reveal a tender side to the self-confessed misogynist
Reputations: David King by Christopher Wilson
‘You develop a visual style as you would a handwriting one … The content is what you concentrate on’
Reviews:
The New Typography: An Interdisciplinary Symposium

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Eye, Issue 048, Summer 2003
Eye, Issue 048, Summer 2003
More graphic design artefacts
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More graphic design history articles

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun