Information

Content includes:
Opinion:
Swiss kitsch by Rick Poynor
Are installations the new billboards? Or the twinkling face of corporate propaganda? Critique by Rick Poynor
Marketing is not a dirty word – Letter to the editor, Rachel Marsh
In praise of the Art Club – Letter to the editor, Darren Whittingham
The pantomime of design education – Letter to the editor, Christopher Brawn
Door-to-door designer mimicry – Letter to the editor, Julian Curtis
The Vignellis: a thoroughly Modernist marriage – Encounter, Simon Esterson, John L. Walters
Lella and Massimo Vignelli talk to Eye’sJohn L. Walters and Simon Esterson
Imperialism by another name? – Agenda, Steve Rigley
India’s designers need to compete globally, but Western-style professionalisation could threaten the country’s confidence
Features:
LA art school by Malcolm Garrett
From Punk to production design: the widescreen career of Alex McDowell
Images over time by Peter Hall
The rich pre-history of motion graphics is filled with inspiration for screen-based image-makers
Cheap Jack Flash by Eric Kindel
Fluorescent inks – costly, dramatic, even ‘vulgar’ – provided 1950s designers with a fresh challenge
By printers, for printers by Steve Hare
Until its 1980s demise, ‘Penrose’ documented a fascinating trail of printing and design developments
Crystal garden by Peter Blegvad
Crepuscular and cool, the Nobel Field is a ‘living instrument’, played by its visitors
A sign that eats itself by Mike Kippenhan
Cartoon-like characters in logos and on signage are ubiquitous in South Korea
The alchemist by Steven Heller
Animator Jeff Scher uses dense, unorthodox techniques to make his highly original, image-rich films
Tools to make or break by David Womack
By cracking open commercial software, a new breed of graphic designer is redefining type and image at code level
Reviews:
Instant light: Tarkovsky Polaroids
Design: Edward Bawden and Eric Ravilious
Chip Kidd: Book One. Work: 1986-2006

Details

Linked Information

Eye, Issue 060, Summer 2006
Eye, Issue 060, Summer 2006
More graphic design artefacts
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From the design archive:
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More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.