Information

Content includes:
Opinion:
California panorama by Rick Poynor
Features:
From bombs to brands by the editors
Photography. Adventures in motion pictures
Adventures in motion pictures. Frozen fire by Kerry William Purcell
Adventures in motion pictures. The post-photographic age by Andrew Losowsky
Adventures in motion pictures. Neil McIntosh by Eye editors
Adventures in motion pictures. Aerial ballet of upholstery by John L. Walters
Adventures in motion pictures. ‘This is reality’ by John L. Walters
Adventures in motion pictures. Narrative arc by John L. Walters
All my own work by Wayne Ford
Every detail counts by Wayne Ford
Out of the darkroom by John Ridpath
Human touch
Reputations: Paula Scher by John L. Walters
Two wheels good by John Ridpath
David Pearson: inside out by John L. Walters
Slow print by John L. Walters
Reviews:
Type: A Visual History of Typefaces and Graphic Styles
MATRIX / Berkeley: A Changing Exhibition of Contemporary Art
Paul McCarthy’s Low Life Slow Life: Tide Box Tide Book
Graphic Design for Fashion
Puffin by Design: 70 Years of Imagination 1940-2010
Victore, or Who Died and Made You Boss?
Modern British Posters: Art, Design & Communication

Details

Linked Information

Eye, Issue 077, Autumn 2010
Eye, Issue 077, Autumn 2010
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.