Information

Content includes:
Opinion
The sound and the echo – Samir Husni, Jeremy Leslie, Angharad Lewis
Cinematic view – Critique / Photography, Rick Poynor
Features
Guilt, abstracted – Steven Heller
Surfers and divers – Anja Neidhardt
Generation font rent – Jan Middendorp
Reputations: David Driver – Martin Colyer
Liberté, égalité, typography – Simon Esterson
For the love of food and print – Steven Heller
Double vision – Madeleine Morley
The start-up that stopped – Anne Miltenburg
Point of difference – Alex J. Todd
The alternative viewpoint – Alice Twemlow
Tales from the West Coast – Patrick Baglee
This woman’s work – John L. Walters
Radical platform – Fi Churchman
Two-colour haikus – Paul Harpin, John Miles
Pulling back the curtain

Details

Linked Information

Eye, Issue 097, Autumn 2018
Eye, Issue 097, Autumn 2018
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.