Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Specimen with samples

Information

Details

Linked Information

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Specimen with samples
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Specimen with samples

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample

 

Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
Folio Fett, Bauersche Giesserei, Frankfurt am Main, Type Sample
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

Members Content

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.