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Content includes:
die ulmer schule
Neue U-Bahn-Wagen für die Hamburger Hochbahn AG
herbert lindinger, ein neuer u-bahnwagen
Notizen zu einem Produkt: Das Kompaktgeschirr TC 100
Hans Eckstein, Hans Gugelot
ein Ulmer Dozent
„Gute Industrieform?”
Bernadotte & Bjorn, Antwort zur Sache
Thomas Grochowiak, „,Wir Juroren”
max bill, über die güte der guten form
Robert Gutmann,
Glückwunsch zu form 14
Wilhelm Wagenfeld, Fabrikwaren
Produktentwicklung
Jupp Ernst, Gemeinsame Sprache in der Produktplanung
Ir. R. W. J. Veersema,
Organisation de Arbeitsablaufes. Team-Aufbau
Christian Precht, Italia 61
Notizen
Aus unserer form-Korrespondenz

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Linked Information

Form, Internationale Revue 15, 1961. Designed by Karl Oskar Blase
Form, Internationale Revue 15, 1961. Designed by Karl Oskar Blase
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.