Form, Internationale Revue 44, December 1968

Information

Content includes:
Grafik-Design – Olympische Spiele München 1972, Manfred Sack, Aichers Olympiade
Behörden-Design – „,Amtsstuben und Kontore ’68”
Analyse – Schränke als Wände, Odo Klose, 12 Schrankwand-Systeme
Produkte
Small Design- zur Gestaltung eines Blutdruckmessers
Design für den Garten
Design für den Bahnhof
Ausstellungen- Rückblick auf Köln, Blickpunkte von der photokina
Wettbewerbe – Braun-Preis
Schulen. Ulm löst auf
Verbände
Designer, sortiert nach Klasse A und B
form-Forum – Revolution im Design? Resonanz

Details

Linked Information

Form, Internationale Revue 44, December 1968. Designed by Karl Heinz Krug
Form, Internationale Revue 44, December 1968. Designed by Karl Heinz Krug
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An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.

Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.