Form, Internationale Revue 48, December 1969

Information

Content includes:
Design-Tagungen – G. Bonsiepe, ICSID-Kongreß 1969. Auszüge aus Vorträgen
Design-Ideologien – G. Müller-Krauspe, Industrial Design morgen – Alternativen
form-Interview Mit dem Molotow- Cocktail in der Tasch Ein Gespräch mit Luigi Colani
Produkte
I. Klöcker, Lastesel für Zambia
Das Design geht in die Luft – :
Hubschrauber BO 105 und DO 132
Für eine neue Umgebung
Schäume, Ideen und Träume
Blickpunkte vom Möbelsalon Mailand
Wettbewerbe- Bundespreise für „Gute Form”. Syma-Gestaltungswettbewerb
form-Forum- F. Strzelczyk, Das kalkulierbare Risiko. J. Schmidt, Idealistisches Design?

Details

Linked Information

Form, Internationale Revue 48, December 1969. Designed by Karl Heinz Krug
Form, Internationale Revue 48, December 1969. Designed by Karl Heinz Krug
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.