Content includes:
Kongresse, Tagungen:
F. Seitz, Vis-Com 71 – Flucht in den Bildungsbetrieb
P. v. Kornatzki, Education Design – Design der Unmündigkeit? (ICOGRADA)
Grafik-Design: K.-D. Stoffers, Aus einem anonymen
Produkt-Design:
Gerät eine Marke machen (Gardena) K. Ritter, ,,ab an Jac”
G. Müller-Krauspe, Zum dritten Mal: Bundespreis Gute Form
Visiona 3″ von Oliver Mourque
Produkt-Kritik: Rowenta Toastgrill TO -92
Packungs-Design:
Umweltschmutz im Einkaufsnetz
9. Deutscher Verpackungs-Wettbewerb
form-Forum:
J. S. Ocón, Keine Zeit für den Designer von morgen?
Grundlagen:
R. Griffel, Zur wirtschaftlichen Situation der Freiberuflichen und Angestellten
Modelle für die Praxis:
,,Grafik- Designer Studienprogramm”
P. Steinacker, VDID-Seminar: E. Reichel, Ablauf eines Design-Auftrages
J. Hämer, Kostenrechnung
Markt:
Produkte, gesehen und notiert
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Pubblicità in Italia 1957-58 gathers the best advertising in Italy, showcases the diverse talents and styles and the clients who were commissioning and embracing modern design.
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Design Archive Feature, Illustration, Members Only Content, Regional Histories
Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.
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Design Archive Feature, Designer Profiles, Members Only Content, Poster Design
Scanned posters by the great Michele Spera. Many use a strong use of geometric form, often paired with sans-serif typefaces like Helvetica. Their simplification of form and use of colour create timeliness, recognisable posters that would have stood out alongside the posters of the 1970s which tended to have a heavy use of photography.
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