Form, Internationale Revue 56, 4, 1971

Information

Content includes:
Kongresse, Tagungen
H. H. Baumann, Design und Flower Power – ICSID-Kongreß1971
W. Rhode, Einsichtige Erwachsene wird man Designer nennen (IDZ)
Modelle für die Praxis:
B. E. Bürdek, Design-Theorien, Design-Methoden- 10 Verfahren
Prognosen, Perspektiven: J. Koch, Soll 1972 gebaut werden: die Metastadt
Produkt-Design:
H. Hirche/A. Votteler, ,,Wohnen im Jahre 1980″‘ (BASF-Präsentation)
Raum im Raum (Bosse-System)
O. Klose, Wie weit ist es das Möbel aus der Retorte?
E. Pumpe-Krüger, Einiges aus Mailand
Grafik-Design, Werbung:
G. Voment, Probleme werblicher Gestaltungsarbeit
K. D. Stoffers, Tagtraum voll schöner Bilder (Levi’s Kampagne)
form-Forum: W. Peschel/G. Röhrer, „Colani – spinnt der?”
Hilfsmittel für die Praxis: J. S. Ocón/P. Sell, Vorlagen, rationell in Farbe umgesetzt (Color-Key)
Markt: Produkte, gesehen und notiert

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Form, Internationale Revue 56, 4, 1971
Form, Internationale Revue 56, 4, 1971
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From the design archive:
From the design archive:
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More graphic design history articles

Members Content

“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.

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Franco Grignani (1908-1999) was one of the twentieth century’s most important Italian graphic designers. Scanning the inner pages of Gebrauchsgraphik 04, 1962, I have managed to collate a selection of the advertisements created in the 1950s and early 1960s, showcasing his groundbreaking design work.

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In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.