Information

Content includes:
Grafik-Design Werbung:
R. Stigulinszky, Vermutungen über die Werbung der 70er Jahre
Verbände:
J. Grimm, BDW-Kongreß Berlin ,,An den gesunden Menschenverstand”: Aktion Zeitschriftenanzeige
Wir sind Entwerfer und Planer – für wen? BDG – Seminar Kell
„,Kling’I dich frei”, Projektgruppe Plakatanalyse: Freiheit, die die meinen
Design-Wettbewerbe:
„Macht uns das Büro kaputt?” Olivetti-Wettbewerb
Schutz vor dem Umweltschutz-Signet-Wirrwarr: Bonn suchte ein Zeichen
Produkt-Design:
Bunte Maschinen, Flipper, Spiel-automaten und Spielobjekte B. H. D. Buchloh, Bemerkungen zum Trivial-Design
Musikautomat ,,M 2000″: ohne Filter? Ditterts Musikautomaten-Design aus zweierlei Sicht
Eine Schularbeit: Spielautomat
Techniken Hilfsmittel für die Praxis:
Unterhaltungs- und Spielobjekte: A. Ade, Animationsfilm,Anti-Baby-Pille”
St. Beckmann, Ein foto-optisches Gerät für die Formenfindung?
form-Forum
G. Braun, Aussagen zur Ausbildung
G. Krause, In Bayern lehren
Markt
Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 58, 2, 1972
Form, Internationale Revue 58, 2, 1972
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.