Information

Content includes:
Russian Exhibitions, 1904 to 1922 by John Bowlt
‘An Attaché at the French Embassy’ short story by Thomas Bernhard
Black Mountain College
Spectodrama, ‘Play, Life, Illusion’ (1924-37) by Xanti Schawinsky
Pierre Albert-Birot
‘Grabinoulor retrouve ses pieds’
‘Grabinoulor decides to call Furibar ‘tu”
Poem, from ‘Aux Trente Deux Vents’
Great Little Magazines, No. 7: SIC
Pablo Picasso by Guillaume Apollinaire
Boxe by Tristan Tzara
Café by Phillipe Soupault
Payment by Jesse Dismoor
Quai aux Fleurs by Pierre Reverdy
Les Eclats by Pierre Albert-Birot
Pas de Corset! by Pierre Albert-Birot

Details

Linked Information

Form, No.8, September 1968
Form, No.8, September 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.