Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Form und Technik, 9, 1965

Information

Details

  • Format: Magazine
  • Year: 1965
  • Client/Publisher: Industrial Union of Printing and Paper
  • Size: 205mm x 290mm

Linked Information

Form und Technik, 9, 1965
Form und Technik, 9, 1965
More graphic design artefacts
Fons Brasser, Stedelijk Museum, Amsterdam, 1980
From the design archive:

Fons Brasser, Stedelijk Museum, Amsterdam, 1980

  • Format: Exhibition Catalogue
  • Designer/s: Fons Brasser, Ad Petersen
  • Year: 1980
View Artefact
Graphis 179, 1975. Cover design by Roland Topor.
From the design archive:

Graphis 179, 1975

  • Format: Magazine
  • Designer/s: Roland Topor
  • Year: 1975
View Artefact
HQ- High Quality, Heft 27 3/1993. Designed by Büro Rolf Müller
From the design archive:

HQ- High Quality, Heft 27 3/1993

  • Format: Magazine
  • Designer/s: Rolf Müller
  • Year: 1993
View Artefact
Gebrauchsgraphik, 09, 1936. Cover design by Paul Pfund
From the design archive:

Gebrauchsgraphik, 09, 1936

  • Format: Magazine
  • Designer/s: Paul Pfund
  • Year: 1936
View Artefact

view more of the graphic design archive

More graphic design history articles
Front and back pages of the cover of a catalogue designed for Brann of Zürich by Ch. Vohdin
  • Design Archive Feature

Advertising the German Store by Jan Tschichold illustrated with design by Brann, 1931

An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.

Members Content

Greeting Cards designed by Stephan Kantscheff. Scanned from Gebrauchsgraphik, 2, 1958
  • Design Archive Feature, Design Inspiration, Members Only Content

Stephan Kantscheff (Kanschev) – A Bulgarian Master of Illustration

Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.

Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
THE IBM POSTER PROGRAM VISUAL MEMORANDA Robert Finkel and Shea Tillman
  • Design Books

The IBM Poster Program: Visual Memoranda

In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.