Content includes:
F. Nagel – Furniture Design with Plastics – Possibilities and Limitations
Christoph von Wolzogen – Writing – Language – Information. A Typographic-Methodological Study
13 ’73 – ’74 – ’75 – out?
“expo form 75”
Exemplary Cooperation, Thorough Information: The Latest Advertising and Promotion Initiatives of Mobil Oil AG in Germany
Network Planning Techniques – A Successful Planning Tool in Advertising
New Ways of Product Presentation
R. Stigulinszky – Participation: A Way Out of the Dilemma?
Brigitte König – A New Product, a New Look, ‘Agfachrome Super 8’.
Photo and travel books
A new tool for designers: the Farbstern
Successful crisis management concept in the printing industry
Door lettering – Searching for old signs with a camera
Consistent advertising strategy – an addendum The Edelmann booth at ‘Interpack 1975’
Interpack 1975 – Barometer readings changing
realities.
A selection of the new products and top products of the photo market presented at ‘Interpack’
Modern design of kitchen systems
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Advertising Design, Members Only Content
Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.
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Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
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Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
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