


Franco Grignani (1908-1999) was one of the most important figures in twentieth-century visual communication. This catalogue of the exhibition devoted to him at the m.a.x. museo in Chiasso records the complexity of his achievements and his research into the subject of multi-sensoriality.
The exhibition layout and documentary inquiry explore his work in the three main fields of photography, graphic design and art. Through research conducted at the family archives, specific holdings in the Museo di Fotografia Contemporanea – MUFOCO based in Cinisello Balsamo (Milan) and the Associazione Italiana Design della Comunicazione Visiva – AIAP, as well as among important Italian and Swiss private art collections, it is now possible to reconstruct the fundamental stages in Franco Grignani’s artistic experimentation. The catalogue includes essays by Mario Piazza, Roberta Valtorta, Giovanni Anceschi, Nicoletta Ossanna Cavadini and Bruno Monguzzi that investigate his work from his initial research into photography to advertising graphics, mathematical-perceptive analysis and optical art.



From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
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Design Archive Feature, Design Education, Movements
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.
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